Seven wins ‘11

No surprises for anyone to read that the Seven Network has come out as the overall winner in the 2011 ratings battle – its fifth annual win in a row.

Seven ends the year (Weeks 7-48, excluding Easter, 6pm-12mn, 5 cities) with a 31.0% share, followed by Nine (26.3%), Ten (21.4%), ABC (15.9%) and SBS (5.4%).  For Seven it’s an increase from last year’s share of 28.7% while Nine, ABC and SBS recorded drops compared to 2010, and Ten rose only slightly from 21.2% as it launched its new channel Eleven this year and revamped former sports channel One.

Broken down to individual channels, Seven (23.0%) was ahead of Nine (19.5%), Ten (15.8%), ABC1 (12.4%), SBS One (4.6%), 7TWO (4.6%), GO! (4.0%), Eleven (3.5%), 7mate (3.4%), Gem (2.8%), ABC2 (2.3%), One (2.1%), SBS Two (0.8%), ABC News 24 (0.7%) and ABC3 (0.6%).  The growth in the multi-channel audiences has seen all primary channels recording a decline on 2010’s numbers.

7TWO overtook Nine’s GO! as the top-rated multi-channel, while Ten’s new youth-themed channel Eleven ends its first year in third spot.

It was a year where Seven could do little wrong, achieving a clean sweep of 40 overall prime-time wins out of 40 weeks, due to a strong early evening line-up of Seven News, Today Tonight and Home And Away and its reality portfolio – The Amazing Race: Australia, Dancing With The Stars (pictured), My Kitchen Rules, Australia’s Got Talent and a revamped The X Factor – all performing well giving the network a massive lead up to mid-evening.  Thursday nights got a boost with Beauty And The Geek, and the long-running Better Homes And Gardens gave Seven a boost on Fridays.

Seven also scored a massive hit on Sunday nights with British series Downton Abbey.

Drama series Packed To The Rafters was still a standout performer but didn’t rate quite as well as in 2010, having lost a number of key cast members in the last year, and with some risky scheduling by Seven that saw the series given a lengthy mid-season break and then winding up the 2011 series prematurely.  But the mid-season break for Rafters saw it replaced by the new series Winners And Losers, a strong ratings performer though not a match for Rafters.

In the morning battle, Sunrise is still dominant in the breakfast timeslot nationally but Nine’s Today is performing stronger in Sydney and Melbourne.  The Morning Show continues to rule the mid-morning timeslot, claiming victory over Nine’s Kerri-Anne (which was cancelled last week) and The Circle.

But not everything quite went Seven’s way.  The network’s new period drama Wild Boys, featuring Daniel MacPherson and former Rafters star Zoe Ventoura, got off to a strong start but failed to maintain an audience and will not return in 2012.  Game show Deal Or No Deal, once a dominant performer at 5.30pm, is fading against Hot Seat, and drama series City Homicide went out with a whimper.  And last week’s special Kyle And Jackie O’s Night With The Stars was presented with a lead-in of two million viewers (with the “winner announced” on The X Factor) but saw viewers switch off in droves.

New imported series No Ordinary Family, Detroit 187, Teen Wolf, Suits and Law And Order: LA all failed to click with viewers. 

For the Nine Network the year started confidently, with promises that the network would be the “home of comedy” in 2011.  It was soon apparent, however, that the only ones laughing were the other networks.  The supposed flagship of the new comedy line-up, Ben Elton Live From Planet Earth, was a spectacular dud, even leading to a public apology by Elton himself, and was axed after only three weeks.  New US shows $#*! My Dad Says and Mike And Molly also failed.

The once dominant US sitcom Two And A Half Men was on the decline on the back of the Charlie Sheen scandal and his subsequent sacking from the series, but The Big Bang Theory – ironically from the same producer as Men – became a strong performer, to the point where Nine has become somewhat over-reliant on its popularity, ended the ratings year with 14 episodes scheduled in prime-time over five nights.

The multi-million dollar deal which saw Hamish Blake and Andy Lee come across from the Ten Network saw their new series Hamish And Andy’s Gap Year start to a strong ratings result but overall popularity waned as the series progressed, although it rated well in younger demographics.

The Joy Of Sets with Tony Martin and Ed Kavalee promised a humourous and affectionate look at the various aspects of television, but viewers didn’t take to it at all with later episodes playing out in a late-night timeslot.

Nine’s first half of the year was also not helped by lack lustre performances by new Eddie McGuire vehicles Million Dollar Drop, Between The Lines and a revival of This Is Your Life.

Nine had some smiles, however, by strong ratings for the ongoing Underbelly franchise, with a series of telemovies and the 1920s-themed series Underbelly: Razor rating well. 

The TV Week Logie Awards rated well (1,323,000, over four hours) up against the series return of MasterChef Australia (1,569,000, 90 minutes), while the NRL State Of Origin series returned excellent figures with all three games well exceeding the 2 million viewer mark.

But while the first half of the year was not a great one for Nine, its second half was  somewhat better and can be largely attributed to adopting the reality genre in the stripped 7.00pm timeslot, starting with a new-look The Block which became a ratings hit.  Some strategic coding by Nine in the ratings system has seen The Block – The Winner Announced claim the #1 program of the year – all seven minutes of it.

(Such coding of programs, a tactic employed by all three commercial networks, have made a mess of the Top 20 list – as below – where individual episodes of series and specific segments of special events are singled out to give them higher or multiple positions in the rankings.)

Nine then used the 7.00pm timeslot for its late-year series Celebrity Apprentice, also returning strong results. The popularity in the reality genre for Nine will see it launch an Australian version of singing competition The Voice, and reviving Big Brother in 2012.

But while it was a year that Seven could do little wrong, for Network Ten it was a year where there was little they could get right.  The network’s heavy investment in expanding its news and current affairs portfolio saw 6PM With George Negus (later 6.30) fail to maintain any audience traction up against the tabloid opposition, although the network should at least be credited for attempting to lift the bar in the standard of prime-time current affairs reporting and giving the show a fair run before finally axing it in October.

The 6.30pm Ten Evening News failed to click with viewers and was axed after two months, and Ten’s subsequent extension of the 5.00pm bulletin to a 90-minute format saw its numbers drop considerably.  The mess of the network’s weekend newscasts, which saw the national 5.00pm newscast dropped and then re-instated and the 6.00pm state-based bulletins launched and then dropped in favour of an extended national news bulletin, has not done it any favours either. 

The 7PM Project has now been extended to an hour, and re-named The Project.  Its overall average has dropped as a result and it is to be seen if the expanded format can build on its numbers in 2012.

Ten’s reality giant MasterChef Australia was back for a third series this year.  Although the program continued to rate well, the mood of the audience was well down on previous years and the show’s finale – split into two shows to ‘force’ viewers to sample The Renovators sandwiched in between – rated well lower than the two previous season finals and its Junior MasterChef spin-off also failed to maintain a strong audience.

The new show The Renovators (pictured) promised to do for home makeovers what MasterChef did with cooking – crank the challenges, production values and the budget to the hilt, and to saturate the schedule.  The problem was that viewers didn’t take to The Renovators as they had come to adopt MasterChef, therefore dragging down Ten’s entire schedule.  It will also be no coincidence that Nine’s revamped The Block made its debut just prior to The Renovators and hence stole much of its thunder.

Ten’s drama slate has looked somewhat depleted this year, with Neighbours being moved across to Eleven.  Ten’s second series of Offspring was a strong performer and will be back next year, but action-packed police drama Rush again failed to gain a decent audience and will not appear in 2012.

Apart from MasterChef’s two-part finale, Ten’s only appearance in the year-end Top 20 was the AFL Grand Final, ending the network’s ten-year association with the league as the free-to-air rights next year go solely to Seven.

Ten’s re-working of comedy show Good News Week into Good News World was a critical and ratings disaster, while the new topical discussion show Can Of Worms got a modest audience response but was not helped by some erratic scheduling.  The second series of the Australian version of Undercover Boss also failed to rate with viewers.

The network did have better results with the return of The Biggest Loser and Talkin’ ‘bout Your Generation.

Imported shows Blue Bloods, Hawaii Five-O, The Defenders and Ringer have also returned poor results, while the big-budget series Terra Nova – filmed on location in Australia – started strongly but has failed to maintain viewers’ interest.

Over at ABC ratings are not of primary concern but the ABC1 channel has scored some critical and ratings hits during the year.  The two-part series Paper Giants: The Birth Of Cleo (pictured) was a ratings hit in April, while the eight-part adaptation of the book The Slap was widely acclaimed and received strong Thursday night figures for the broadcaster.

The long-running Spicks And Specks also rated well during the year with its final-ever episode last week scoring over 1.5 million viewers.  The Gruen Transfer and its spin-off Gruen Planet were also popular on Wednesday nights.

Highlights for SBS during the year included Cadel Evans’ victory in the Tour de France (704,000), followed by documentary series Go Back To Where You Came From (pictured), where six Australians were taken on a reverse journey of those taken by refugees that have landed at our shores.

In digital multi-channels, the most-watched broadcast was Day 9 of Wimbledon on 7TWO, attracting 737,000 viewers, followed by movies Transformers and 2012 on GO!.  Neighbours was a consistent performer for Eleven, often winning nightly digital channel rankings but its average over the year saw it ranked at the 10th most popular program on digital channels for the year.

But the biggest TV event of the year is one that fell outside of the official ratings survey.  The April wedding of Prince William and Kate Middleton, with coverage across four free-to-air networks and a number of pay-TV channels, was watched by millions but took place during the two-week ratings break taken around Easter so its numbers are not included in the year-end tally.

From today networks go into summer non-ratings mode, though viewing data is still collected and reported to networks over the non-ratings period.

The 2012 ratings year begins on 12 February and continues through to 1 December, with a two-week Easter break in April.

Seven wins 2010, 2009, 2008, 2007

Free-To-Air Top 20 Programs (Rank, Title, Network, Duration, Audience (five cities)):

1 THE BLOCK -WINNER ANNOUNCED (Nine) 0:07:06 3,370,000
2 AUSTRALIA'S GOT TALENT-THE WINNER ANNOUNCED (Seven) 0:10:06 2,980,000
3 UNDERBELLY: RAZOR -EP1 (Nine) 1:01:21 2,794,000
4 MASTERCHEF AUSTRALIA - THE WINNER ANNOUNCED (Ten) 0:16:00 2,745,000
5 THE BLOCK -AUCTION (Nine) 0:45:50 2,736,000
6 THE 2011 MELBOURNE CUP CARNIVAL: MELBOURNE CUP-THE RACE (Seven) 0:06:05 2,667,000
7 TEN'S AFL FINALS 2011: GRAND FINAL COLLINGWOOD V GEELONG (Ten) 3:02:30 2,641,000
8 STATE OF ORIGIN RUGBY LEAGUE QLD V NSW 3RD - MATCH (Nine) 1:50:58 2,492,000
9 MASTERCHEF AUSTRALIA - FINALE NIGHT (Ten) 1:01:34 2,402,000
10 UNDERBELLY: RAZOR -EP2 (Nine) 1:01:16 2,352,000
11 THE BLOCK -GRAND FINAL (Nine) 1:07:10 2,309,000
12 STATE OF ORIGIN RUGBY LEAGUE QLD V NSW 1ST - MATCH (Nine) 1:41:24 2,245,000
13 RUGBY LEAGUE GRAND FINAL (Nine) 1:51:01 2,172,000
14 STATE OF ORIGIN RUGBY LEAGUE NSW V QLD 2ND - MATCH (Nine) 1:44:00 2,165,000 
15 MY KITCHEN RULES-WINNER ANNOUNCED (Seven) 0:10:00 2,127,000
16 THE X FACTOR - THE WINNER ANNOUNCED (Seven) 7 0:08:00 2,026,000
17 THE 2011 MELBOURNE CUP CARNIVAL: MELBOURNE CUP-RACE PRESENTATIO (Seven) 0:33:27 1,967,000
18 AUSTRALIA'S GOT TALENT-TUE (Seven) 1:34:32 1,936,000
19 THE 2011 GRAND FINAL PRE GAME (Ten) 0:20:58 1,914,000
20 DOWNTON ABBEY (Seven) 1:11:48 1,906,000

Free-To-Air Digital Multi Channel Top 20 Programs (Rank, Title, Channel, Duration, Audience (five cities)):

1 WIMBLEDON 2011 - DAY 9 (7TWO) 1:37:11 737,000
2 TRANSFORMERS -EV (GO!) 3:00:14 486,000
3 2012 -EV (GO!) 3:14:57 441,000
4 AUST FIA FORMULA ONE WORLD CHAMPIONSHIP 2011 - RACE (One)2:00:00 428,000
5 WIMBLEDON 2011 - DAY 7 (7TWO) 2:46:45 408,000
6 SURVIVOR: REDEMPTION ISLAND -EV TX1 (GO!) 0:58:00 371,000
7 HEARTBEAT-SAT (R) (7TWO) 1:07:09 350,000
8 JONATHAN CREEK (7TWO) 1:07:32 349,000
9 SURVIVOR: REDEMPTION ISLAND -EV (GO!) 1:36:15 344,000
10 NEIGHBOURS (Eleven) 0:30:35 343,000
11 M-FIRST BLOOD (7mate) 2:00:51 338,000
12 PAUL BLART: MALL COP -EV (GO!) 1:56:36 337,000
13 HARRY POTTER AND THE PHILOSOPHER'S STONE -EV (GO!) 3:20:46 337,000
14 DOC MARTIN-EP.2 (7TWO) 1:02:01 335,000
15 HEARTBEAT (R) (7TWO) 1:06:18 330,000
16 HEARTBEAT-EP.2 (R) (7TWO) 1:05:31 325,000
17 THE VICAR OF DIBLEY-TUE (R) (7TWO) 0:49:38 322,000
18 HEARTBEAT-SAT EP.2 (R) (7TWO) 1:02:40 315,000
19 HEARTBEAT-WED (R) (7TWO) 1:08:04 314,000
20 DOC MARTIN (7TWO) 1:03:09 308,000

Data © OzTAM Pty Limited 2011. The Data may not be reproduced, published or communicated (electronically or in hard copy) without the prior written consent of OzTAM.

Hazel Phillips has got Talent

It was a brief stroll down memory lane on tonight’s edition of Seven’s Australia’s Got Talent when actress, performer and former TV host Hazel Phillips entered the stage.

Phillips dates back to the earliest days of television, appearing in a TV talent quest before TV officially launched in Australia.  She concedes she didn’t win the contest but the ones that did have not been heard of since!

She went on to appear in early variety programs including the Revue variety series and the original Beauty And The Beast, both from Sydney’s ATN7.

But it was as the host of the 0-10 Network’s daytime variety show Girl Talk that Phillips scored the TV Week Gold Logie for Most Popular Female Personality on Australian Television in 1967.  In the same year she also won the Logie for Most Popular Female Personality in New South Wales.

Phillips also appeared in The Mavis Bramston Show and The Barry Crocker Show and dramas including Boney, Number 96, Ryan, Chopper Squad, Until Tomorrow, GP, Brides Of Christ and A Country Practice.

In 1989, Phillips appeared alongside fellow female Gold Logie winners Lorrae Desmond, Pat McDonald, Denise Drysdale, Jeanne Little and Rowena Wallace in the opening number of the TV Week Logie Awards:

Prior to the Australia's Got Talent appearance, Today Tonight screened a preview of Phillips' audition:

Her entrance onto the Australia’s Got Talent stage was met with warm affection and after her performance received a standing ovation.  And for Phillips, it was as if her career had gone full circle – “I thought well as I started with a contest maybe I can go out with one!,” she quipped.

And good news is she passed her audition and now progresses to the next stage in the competition.

Australia’s Got Talent. Tuesday and Wednesday, 7.30pm.  Seven/Prime7

Source: IMDB, Australia’s Got Talent 
YouTube: scottphillips55, oztvheritage

Good Friday Appeal tradition continues

Flashback to 1972… and Temptation and Great Temptation hostess Barbara Rogers and Homicide star Leonard Teale (pictured) are promoting the Good Friday Appeal telethons for Melbourne’s HSV7 and Adelaide’s ADS7.

The Adelaide telethon has long gone, but Melbourne’s Royal Children’s Hospital Good Friday Appeal continues to tap into the generosity of Victorians to raise funds for one of the world’s great children’s hospitals.  More than $211 million has been raised since the Appeal’s modest beginnings as a sports carnival in 1931.  Radio station 3DB joined the Appeal during World War II and HSV7 first took part in 1957.

This year’s telethon, the culmination of twelve months of various fundraising efforts across the state, will be held at Melbourne’s Etihad Stadium and broadcast across Victoria through HSV7 and regional affiliate Prime Television.  Melbourne radio stations 3AW and Magic 1278 as radio partners of the Appeal will also cover the day’s activities.

The Appeal promises to feature many of Seven’s on-screen personalities from various programs including Home And Away, Packed To The Rafters, Winners And Losers, Australia’s Got Talent, Seven News, Dancing With The Stars and The Morning Show.  Royal Children’s Hospital ambassador and former Seven personality Dan Webb, probably best known as host of game show Video Village in the 1960s and journalist with Seven National News in the 1970s and ‘80s, will also be making an appearance.

Last year’s Appeal raised a record total of $14,462,000.

The Royal Children’s Hospital Good Friday Appeal.  Friday 22 April, from 9.30am.  HSV7 (Melbourne) and Prime Television (Regional Victoria) – in association with the Herald and Weekly Times and radio stations 3AW and Magic 1278

UPDATE @ 12.40 AEST 23.4.2011 The Royal Children’s Hospital Good Friday Appeal has signed off with a record-breaking final total of $15,156,000.

US stars head to Telethon

US actors John Travolta (pictured) and Carrie Fisher head the list of guest stars to appear at this year’s Telethon, taking place this weekend in Perth.

Travolta, in Australia for Qantas’ recent 90th anniversary, and Fisher, who’s been performing her play Wishful Drinking across Australia, will be joined by stars from various Seven Network programs, including Packed To The Rafters, Sunrise, The Morning Show, Home And Away, City Homicide, Dancing With The Stars and My Kitchen Rules, for the 43rd annual telethon which raises funds for children’s charities in Western Australia.

Also appearing will be Justice Crew, the winners of this year’s series of Australia’s Got Talent, Marcia Hines, Jessica Mauboy, Potbelleez, Kate Ceberano, Damian Leith, Stan Walker, Wes Carr, Mark Vincent and Amy Meredith.

Local Seven Network personalities taking part in Telethon include Seven News’ Rick Ardon, Susannah Carr, Basil Zempilas, Natalia Cooper, Emmy Kubainksi, Sally Bowrey and Adrian Barich and Today Tonight’s Monika Kos.

Last year’s Telethon raised $6,374,775 which was distributed to over 20 charities. Since its launch in 1968, Telethon has raised around $94 million so this year should bring the grand total to over $100 million.

Telethon, being held at the Perth Convention and Exhibition Centre, begins tonight (Saturday) at 6.30pm (WST) and continues through to 8.30pm Sunday and will be broadcast through Seven in Perth and the Golden West Network in regional WA.

EDIT @ 14.47 AEDST 14.11.2010: John Travolta has had to withdraw from his planned appearance at Telethon after his pregnant wife, Kelly Preston, went into labour. He was intended to appear in the closing stages of Telethon tonight but is now heading back to the US to be with his wife. Seven's Perth general manager Ray Waldrop has told media: "Whilst we are obviously disappointed that John can't come to Perth to appear on Telethon, we completely understand that his family comes first. Channel Seven, and I am sure everyone in Western Australia, send our best wishes to John and his family.''

UPDATED @ 23.57 AEDST 14.11.2010: Telethon has signed off for 2010 with a record total of $9,237,539.  This now pushes Telethon’s total fundraising amount over 43 years past the $100 million mark.

Source: Telethon, PerthNow

Who you can’t vote for in the Logies…

It is that time of year when TV Week asks its readers, and the wider TV viewing population, to vote for their favourite personalities and programs for the annual TV Week Logie Awards.

This year’s presentation, to be held on 2 May, marks the 52nd annual presentation of the awards first named by Graham Kennedy, who decided that the middle name of TV pioneer John Logie Baird sounded like a good name for an award and, in naming the award after him, it would forever be a tribute to his achievement.  (It was remarked in later years that had Kennedy known just what an impact the Logies would have had on Australian TV culture, he would named them after his own middle name – Cyril)

These days, viewers can vote for the awards without having to buy a copy of TV Week.  In the past, votes could only be made via coupons printed in the magazine or by using a unique PIN printed inside the magazine when voting online.

However, despite the voting being conducted online for a few years now, the online interface used to collect the votes is essentially just a basic web poll.  None of the glamour or excitement of TV’s night of nights here.  No colour.  No pictures, or even video clips of the people we are being asked to nominate (and this can be handy when trying to identify some of today’s TV starlets who aren’t easily recognised by name alone). In fact, voting for your favourite TV stars and programs now looks to be as clinical and enjoyable as filling in your average tax return, especially now as the stars and shows are reduced to mere numbers or tick boxes. 

Also curious are the omissions from TV Week’s list of voting ‘suggestions’ (although they are our only options, there is no “other” allowed here).  Just a few that this author noticed missing from the categories:

Most Popular Actor: Tom Oliver (Neighbours), Alan Fletcher (Neighbours), Andrew Supanz (All Saints), Kip Gamblin (All Saints), John Waters (All Saints)

Most Popular Actress: Janet Andrewartha (Neighbours)

Most Popular Presenter: Larry Emdur (The Morning Show), Kylie Gillies (The Morning Show), David Reyne (9AM With David And Kim), Kim Watkins (9AM With David And Kim), Sandra Sully (Ten News), Dave Hughes (The 7PM Project), Peter Everett (Ready Steady Cook), Sam Pang (ADbc), Grant Bowler (Border Security), Ed Kavalee (TV Burp), Daryl Somers (Hey Hey It’s Saturday – The Reunion), Jonathon Holmes (Media Watch), Magda Szubanski (The Spearman Experiment).

There also seems to be some inconsistency in what qualifies as “presenter” – Masterchef’s three judges are listed as potential nominations for the category, but the show’s (then) host, Sarah Wilson, is not.  The Biggest Loser’s fitness coaches, Shannan Ponton and Michelle Bridges, are listed in the “presenter” category, but the show’s (former) host, Ajay Rochester, is not.  The Seven Network’s talent quest, Australia’s Got Talent, gets a guernsey, with host Grant Denyer and judge Dannii Minogue qualified for a mention, but no mention of Minogue’s colleagues, Red Symons and Tom Burlinson.  For rival show Australian Idol, Andrew Günsberg is listed as host, but no mention of any of the show’s three judges, Ian ‘Dicko’ Dickson, Marcia Hines, Jay Dee Springbett and ousted judge Kyle Sandilands (who did appear in the preliminary stages of the show in 2009).  SBS newsreader Anton Enus qualifies for a vote, but his weekend counterpart, Lee Lin Chin, does not.

Australia’s Got Talent qualifies in the category of “most popular light entertainment program”, but a rival show of essentially a similar format, Australian Idol, is categorised under “reality”.

Most Popular Light Entertainment Program: TV Burp, Hungry Beast, Double Take, Are You Smarter Than A Fifth Grader?, Hot Seat, The Einstein Factor and The New Inventors are all missing from the nominations list.  The one-off special Rove Presents Hamish And Andy’s American Caravan Of Courage is allowed to be voted, but another one-off special from the same network, Shaun Micallef’s New Year Rave, is not.

These are just the omissions noticed by this one author.  There may be plenty more that TV Week and the networks have failed to acknowledge as being worthy of a vote – and yet the Logie Awards are intended to be the ‘people’s choice’ awards covering all the various genres of television and allowing all on-air talent – with the only eligibility being that they appeared in a credited role during the 2009 television year – an equal opportunity of being voted for.

It is surprising that, after 52 years, TV Week and the publicity agents from all the networks can not get together and muster up a complete list of eligible personalities and programs and be consistent in what, or who, qualifies for a particular category.  The gaps in these voting categories only serve to add ammunition to growing public sentiment that the Logie Awards are no longer a credible recognition of the achievements of our television industry.

TV Week’s Logie Awards site (with the link to vote online) is at tvweek.com.au.